i–VI–iv–V
Dark minor
- Am
- F
- Dm
- E
Tense and heavy: VI and iv sink, then the major V of the harmonic minor leans back toward i with a bite.
Used in drill, trap and cinematic music.
Dark progressions are minor and slow to resolve: they sink to VI and iv, or swing between the home chord and the ones below it. These are the four the chord generator plays for Dark, heard here as trap.
Dark minor
Tense and heavy: VI and iv sink, then the major V of the harmonic minor leans back toward i with a bite.
Used in drill, trap and cinematic music.
The minor shuttle
Epic and unresolved: it swings between the home chord and the two major chords below it and never lands on a V.
Used in film scores, metal and Detroit techno.
The epic minor · 6-4-1-5
Big and bittersweet. It starts on the minor chord, so it sounds sad, then climbs through three major chords that sound like hope. It is the pop progression started from its minor chord.
Used in anthems, EDM, trap and film.
Minor two-chord
Two minor chords rocking back and forth, i and iv. The rhythm carries it.
Used in dancehall, dembow, riddims and Chicago house.
One chord a bar; a chord held for two bars is written once.
| Key | Chords |
|---|---|
| C minor |
|
| C♯ minor |
|
| D minor |
|
| D♯ minor |
|
| E minor |
|
| F minor |
|
| F♯ minor |
|
| G minor |
|
| G♯ minor |
|
| A minor |
|
| B♭ minor |
|
| B minor |
|
Or pick a mood and a key in the chord progression generator.
A minor key, few chords and a slow pull home. i–VI–iv–V (Am, F, Dm, E) is the drill sound: the major V comes from the harmonic minor and gives it a bite. Two minor chords, i and iv, are enough for a riddim.
Yes. The Roman numerals say which notes of the key each chord is built on, so the same progression works in all 12 keys. The table above has every one, with the chords named.
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