i–iv–VI–V
Minor pop
- Am
- Dm
- F
- E
Moody, but it moves: down to iv, up to VI, then a major V borrowed from the harmonic minor that pulls hard back home.
Used in sad pop, house, R&B and K-pop.
Sad progressions sit in a minor key: the home chord is minor, so even the major chords around it sound bittersweet. These are the four the chord generator plays for Sad, heard here as lo-fi.
Minor pop
Moody, but it moves: down to iv, up to VI, then a major V borrowed from the harmonic minor that pulls hard back home.
Used in sad pop, house, R&B and K-pop.
The epic minor · 6-4-1-5
Big and bittersweet. It starts on the minor chord, so it sounds sad, then climbs through three major chords that sound like hope. It is the pop progression started from its minor chord.
Used in anthems, EDM, trap and film.
The minor lift
Rising and hopeful for a minor key: two major chords climb a step at a time to the minor home chord, which is held for two bars.
Used in future bass, EDM and film.
Minor two-chord
Two minor chords rocking back and forth, i and iv. The rhythm carries it.
Used in dancehall, dembow, riddims and Chicago house.
One chord a bar; a chord held for two bars is written once.
| Key | Chords |
|---|---|
| C minor |
|
| C♯ minor |
|
| D minor |
|
| D♯ minor |
|
| E minor |
|
| F minor |
|
| F♯ minor |
|
| G minor |
|
| G♯ minor |
|
| A minor |
|
| B♭ minor |
|
| B minor |
|
Or pick a mood and a key in the chord progression generator.
One in a minor key. i–iv–VI–V (Am, Dm, F, E in A minor) is the classic: it stays low for two chords before the major V lifts it. i–VI–III–VII (Am, F, C, G) is sad too, but turns hopeful as it climbs.
Yes. The Roman numerals say which notes of the key each chord is built on, so the same progression works in all 12 keys. The table above has every one, with the chords named.
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